As I lay here in bed after completing my last bit of draft work I think about the MA course I am currently on but very close to completing. I can not believe I have just one more day until I will be handing my portfolio in and my artefact which has caused me and my partner nothing but stress hahha. He is great with video editing and I’ve constantly been stressing him out with the whole editing process which I am sure he will be glad once Friday is over. I can’t believe I have made it this far and actually only a few months off receiving my overall graduate grade. This whole journey has been one huge learning experience for me as I have learnt not only to be myself and consider my own thoughts and feelings but I have also learnt how to acknowledge my own knowledge and experiences. Before this MA I never took time to sit and do any kind of reflective thinking never mind reflective writing but this has been something which has helped me and encouraged me to talk and be critical when doi
Throughout my professional practice, I have used and explored with props within a community dance session when my students have had limited vocabulary or have been between ages 3-6. “Props can also be great fun and encourage a climate of exploration and playfulness, but always remember that props should enhance movement, not mask it” (Hills, 2003, p.81). For me , I have found that this method encourages students to listen to the relationship of the music and the prop s to explore their own movements . Hills (2003) suggests ideas of working in a non-verbal way and the method of ‘body talk’ and many ways to incorporate music as a way of communication with people with limited movement. Peppy Hills has helped me improve my teaching methods and guided me through alternative ways of teaching in a non-verbal way. By this , I learnt that dancers with disabilities can explore movement using qualities of touch and the use of choreographic devises to develop work and u